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The myth and reality of the convicts of the Norfolk Island penal settlement, 1825-1855": Raymond J. After an 18-month hiatus, the apparently love-sick Radcliff tired of waiting for her return and, immediately after fulfilling a final engagement at the Leeds Festival of 1883, he left for Australia himself, arriving in Melbourne in December of 1883. According to Scherzer, Amalie intended from first arrival in Australia to return to Vienna as soon as finances allowed.

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2007 (Adrian Duncan): Radcliff remained with the Italian Opera for years, and did not miss a single performance there during the fifteen years following his initial appointment. Besides singing in the "Elijah" with the Melbourne Philharmonic Society in 1870, Mr. Miss Eva Rainford, who attended her father to the last, reminds us that he was an accomplished musician and "theorist", who could score for full band from a pianoforte setting. Warwick Gainor with great success") (Sydney: Troedel, [1888]) Christmas bells by Thos. Leopold Rawack was later on the organising committee of the Sydney University Musical Festival in July 1859.

John Radcliife, the world-renowned flautist, who is on a visit to Victoria, was married to-day to Madame Pauline Rita, the celebrated prima donna. Their investments have proved unfortunate, and they are totally unprovided for. Before she entered upon her on tbe concert platform with Lablache, Patey, Santley, Celli, and other stars. John Radcliff, the celebrated flautist, and toured Australia and New Zealand. D thesis, University of New South Wales, 2009), 128-29. His repertoire ranged from Mephisto, Count Arnheim, Don Jose ("Maritana"), and parts in "La Sonnambula", "Daughter of the Regiment", "Der Freischutz", "Martha" and "Satanella", to the lightest opera bouffes by Offenbach and others, one of his famous characters being General Boom in "The Grand Duchess". The late Tom Rainford lived to such a ripe old age (75 years) that the various accounts of his career dealt chiefly with the latter part of it, prominence being given to the connection of the basso with the original Christy Minstrels in London, and with various comic opera companies in Australia. Marsh reported to friends in Sydney that they quarelled and separated, though both went on to London.

John Radcliff, who has a world-wide reputation as a flautist, and his wife, who before her marriage was Pauline Rita, a successful singer, have for some time past been in failing health and in very necessitous circumstances. Radcliff is seventy-one years of age, and his wife, who is now almost blind, is seventy. She was 78 years of age, and blind, at the time of her death. Marsh & Co.'s Ethiopian Melodies, As Sung by the New York & Rainer's Serenaders (list) Benjamin Miller, The fantasy of whiteness: blackness and Aboriginality in American and Australian culture (Ph. Rainford was principal basso with Lyster's famous opera companies, appearing in 15 different operas. Ilma de Murska in Ï876-a records which shows that his talents were freely recognised in what may be termed classic circles. In Sydney he founda new associate in Stephen Marsh, and the two left for Calcutta in September.

To cite this: Graeme Skinner (University of Sydney), A biographical register of Australian colonial musical personnel–R, Australharmony (an online resource toward the history of music and musicians in colonial and early Federation Australia): accessed 20 September 2016 RAAKE, Gotthard (Godard; Gothard; Gothan; Francis Gotthard Richard RAAKE) Born Warsaw (Warszawa), Poland, 1807 Arrived TAS, 1 September 1839 (convict, per Lady Franklin and Parkfield) Died Fingal, TAS, 23 September "1883, aged 76 yrs 7 months" (headstone) RAAKE, Elsie (Regina Elsie Alice) 1744. Although now living at a distance from Bendigo I am a constant reader of the ADVERTISER, and saw in this Saturday's issue the simple announcement of the death, at the hospital, of consumption, of Sydney Radford, a musician. Her execution now combines a full, powerful, and marked emphasis with the most delicate fingering; the most brilliant bravura skill united to a truly classical, but yet expressive repose in the development of the greatest difficulties -qualities but too seldom found in the modern examples of the world of virtuosi. With the remaiks of your critic on the performance of the Musical Union yesterday evening, I think everyone present will agree; he is, however, in error, in stating that "stringed quartettes are an entirely new feature in concerts here". Many persons spent very pleasant evenings it the residence of a well-known musical chemist here, where Beethoven and Mozart ruled the hour, through the interpretations of musicians of ability on stringed instruments. June 1." In Melbourne in December 1852, Ray advertised that "THE CITY OF LONDON GLEE AND MADRIGAL UNION" was available for engagements, also noting that his colleagues Mr. ), but Ray spent two months in Hobart in late 1832 and gave at least two entertainments with, among others, Mrs. For an 1844 US edition of the popular song, words by Thomas Hudson, see: or The Smith, Brown, and Collins "original" Christy's minstrel troupe, in which Rayner was "an eminent basso and first class musician" arrived in Sydney "after a most successful tour through India, China, Java, Batavia, &c." in February 1865. Anderson and Son issued Dear Mother I've come home to die, "the popular song sung by C. Rayner" (see Anderson's 3rd edition Dear Mother I've come home to die), while Rayner himself, having stayed on after the rest of his troupe returned to Europe, advertised as a "Professor of Singing" ("pupil of Signor Randegger and Henry Drayton") care of Alfred Anderson. Dawes) ([Sydney] London: Weekes & Co., [1888]) Good night, good night (song , the words by Albert G.

GOTTHARD RAAKE was indicted for feloniously forging, on the 23rd of May, at St. Now I thought some old Bendigonian would have informed one of your staff that poor kind-hearted "Syd" was amongst you in former days. I heard very good performances by the Deanes and othees thirty years ago in Sydney; later by a quartette, of which the late Mr. With a mixed program including black-face minstrel numbers and operatic burlesque, they toured to Melbourne in March, Bendigo in April, Adelaide in May, Tasmania in July, and gave their farewell season for the reopening of the Victoria Theatre in Sydney in December. Anderson assisted by writing "accompaniments" of the first song Rayner published in Sydney, probably necessarily, because later it was reported that Rayner C. Rayner's elementary system, and course of study for singing classes ("with examples in the art of phrasing, also exercises for the development of the voice") (Sydney: F. Dawes) ([Sydney] London: Weekes & Co., [1888]) Beneath a broad elm tree (song, the words by Albert G.

Marylebone, an order for the payment of £60, with street to defraud Lionel Nathan Rothschild, and others.-2nd COUNT, for uttering the same.-3rd and 4th COUNTS, like the 1st and 2nd, only calling it a warrant, instead of an order […] 1745. RAAKE is prepared to receive a limited number of pupils to instruct them in Pianoforte, Guitar, Flutina, and English Singing. What old Bendigonian of fifteen or sixteen years ago does not remember listening to the strains of Sydney Radford's band? Thousands of diggers could say that they "many a time and oft heard the band discourse most eloquent music." Sydney Radford came up with his band to Bendigo in the latter part of the year 1854, and played at the principal places of amusement in Sandhurst, then entered into an engagement at the Manchester Arms, Long Gully, for twelve months, obtained very great popularity there amongst the diggers, and afterwards played with considerable success at Eaglehawk. Smith (London: [1852]), copy at British Library, Music Collections h.970.(13.) [004597311], The Tyrolese Postilion (national song; in imitation of the trumpet; zither), and The Crying Peasant (comic song). Rawack was the leader, and quartettes of the Chamber Concerts given by Mr. White, Machine and General Printer, [1866]) Speak Gently (song; words: D[avid] Bates; accompaniments by Alfred Anderson) ([Sydney]: Rayner, [1867]) One word (song; words: Miss Parkes, music C. Rayner) (Sydney: To be had from the author [Rayner], [1868]) The Australian Belles (Caballetta) ([Sydney: Rayner, 1867]) I will brighter be tomorrow (romanza) ([Sydney: Rayner, 1867]) Australia's Welcome to Prince Alfred ("Ode to Prince Alfred") (words: J. Rucker)(Sydney: Published by the composer, [1867]) The Southern Cross (Sydney: Published by the Composer, [1868]); The Southern Cross (5th edn.) There's No Such Word as Fail (words: F. Wilson) (Sydney: Published by the Composer, [1868]) The Australian Stockman's Song (A Bush Lyric; words: F. Wilson) (Sydney: Published by the composer, [1868]) An amateur vocal and instrumental concert was given in the Sale Mechanies' Institute on Thursday evening by the local amateurs, in aid of the fund for the purchase of the piano now used in the hall […]Mons. Rayroux presided at the piano, and the band was comprised as follows:-1st violin, Mr J. Dawes) ([Sydney] London: Weekes & Co., [1888]) Consolation (melody for the pianoforte) (Sydney: W. Paling & Co., [1902]) Amongst these names the most interesting on the score of novelty will be that of Mr.GOTTHARD RAAKE was again indicted for stealing, on the 18th of January, 20 spoons, value 5l.; 4 forks, value 1l.; 2 ladles, value 2l.; and 1 pair of sugar-tongs, value 5s.; the goods of William Tyrrell, clerk. Sydney Radford was a good musician and a first-rate violinist. The chief attraction was the vocalization and instrumental performance of Mr. Beaumont Read who sings with a voice which is rarely heard amongst men in these days. In March 1858, Sydney was in Bendigo with Rainer's Serenaders, and William in Beechworth playing viola in a liturgical performance of Mozart's 12th Mass. Madame Rawack played Thalberg's "Sonnambula Fantasia," in what with truth may be said to be a masterly manner. By 1855 Ray was a publisher and printer (of, among others, Melbourne Where he had come from is unclear (had he been a convict? Ray, being considered a good musician, is that, his ear is by no means perfect, and he frequently gives whole passages far from being in tune." Nevertheless, another paper found him "successful in delighting the audience, particularly in the song of the Spider and fly, which he gave with considerable comic effect". 1 in C ([Sydney] London: Weekes & Co., [1882]) The Chatterbox Rondo (for the pianoforte) ([Sydney] London: Weekes & Co., [1887]) Reverie (song, the words by Albert G. William was playing violin with Austin Saqui in Beechworth in mid 1855, and was at Bendigo playing with Edward Salaman in October. Radford" was leader of the Criterion Band at the Casino in January 1855, and of the band at the Salle de Valentino in in February 1856. And now let us come to the principal novelty of this truly splendid entertainment, the re-appearance, after her return from the Antipodes, of Madame Rawack, who, even as a young girl, excited the most intense interest in the artistic world of Vienna, from her extraordinary talent as a pianist, but from whom Hymen doomed us to so long a separation. That month, too, the three appeared in the UNION's inaugural concert with other recent arrivals including Harriet Fiddes. Ray does not shine as a musician, his voice is rather powerful in the lower notes, and the falsetto decent, especially the upper tones, but he has little idea of cleverly passing from his natural voice to the falsetto-there is a degree of difficulty when he arrives at passages requiring the blending of the two-beside one very serious drawback to Mr. Chromatic Rondo (a study for the pianoforte) (Sydney: Reading & Wellbank, [1864]) Grand Octave Waltz (for the pianoforte) (Sydney: Reading & Wellbank, [1864]) Gathering Rosebuds (a song written and composed by Alexander Rea) (Sydney: Elvy & Co., [1874]) Caprice ("for the Pianoforte, composed and dedicated to Miss E. Woolley") (Sydney: Elvy and Co., [1874]) The Promenade Rondo (for the pianoforte) (Sydney: Elvy & Co., [1879]) Sonatina for the pianoforte No. References: "COLONIAL ITEMS", (London: [s.n.], 1894): Resources: "Pauline Rita", Wikipedia: Adrian Duncan, "The genesis of the Radcliff model flute", webpage created 2007: 1853 was advertised: "New Music, composed by Radford, expressly for Braids' Rooms: The Argus Polka, Braids Assembly Polka, Herald of Hope Valses, Express Galope, every Monday, Wednesday, and Friday evening", In October 1854, the Radfords led the band at the Melbourne Casino and played "a duet on one violin, first time in Australia", and in November and December they were among the violinists for concerts at the Victorian Exhibition. Apart from the concert performances, she was successful teaching: (Scherzer, 65f.). Though it was not published until 1862, after she had left Australia, Edward Boulanger dedicated his Impromptu Polka to Amelia. Hancock, "professors of the Royal Academy of Music, London" would give lessons in singing, pianoforte and harmony. Rayroux was also performed by the orchestra and elicited applause. Warren, "The Warren register of colonial tall ships" (2012): Liverpool, England, 6 December 1842 Arrived Melbourne, December 1883 Married Pauline Rita, Melbourne, 23 January 1884 Departed Sydney, March/April 1885 (for New Zealand) Died London, 3 March 1917, aged 75 RITA, Pauline , from London, 27 October) Married John Radcliff, Melbourne, 23 January 1884 Departed Sydney, March/April 1885 (for New Zealand) Died London, 28 June 1920 Image: John Radcliff, c.1880s Image: Pauline Rita, c.1870s: 1881-11-15: FROM THE EUROPEAN MAIL, OCT. He and Pauline were married there in the next month. Among was probably responsible for introducing a number of important major European instrumental works, as for instance in Sydney in May 1858, when, with "a gentleman amateur" violinist (probably her husband Leopold) and cellist Edward Deane, she gave the first partial local performance of Mendelssohn's D-minor Trio, Op.49 (minus the first movement). There in 1865 she married the pianist Julius Epstein (1832-1918). Thew […]The concert was opened with an overture from "Massaniello", very creditably performed by the band […] A quadrille "Le jour de naissance", composed by Mr. Legge was rendered by the hand in an inspiriting manner […] The Waltz "L'Etoile du Berger", composed by Mr.

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